Hair Tutorial: A Basic Game of Thrones or Fantasy Hairstyle

Hairstyling is not my strong point, but over the years, I have slowly figured out a few tricks to make historical hairstyles work for me. When I made my Game of Thrones dress, I knew I would need a hairstyle to go with it. McCalls 6940 is based on Kings Landing fashions from the earlier seasons of the show. The hairstyles varied depending on the character wearing it (personality, prestige, all that jazz), but there were some basic features that seemed fairly universal: half-up, braided, and loose waves.

Cersei

Cersei

Margaery

Margaery

Sansa

Sansa

As luck would have it, the styles aren’t too far off from an era I’ve already tackled hair for: the 1870s!

My basic 1870s hairstyle. You can click here for the tutorial.

In fact, here’s an original 1870s hairstyle “how to” that, if you stopped before the last step and just left the hair loose in back, would make a perfect Westeros style:

As you can see in the original 1870s tutorial above, hairpieces are almost always necessary to get the right look, even if you have fairly long hair. The secret to costume-perfect hair is the magical “curl loaf.”

Behold! The Curl Loaf!

For my Game of Thrones hairstyle, I wanted a very full look, a mix of Margaery’s overabundant curls with Cersei’s and Sansa’s braided buns. Even though I have hair past my shoulders and my fab-o curl loaf, for a properly fantastic noblewoman’s hair-do I needed MORE HAIR. My curl loaf is from from “Hair World by Jamie.”  I usually buy from their eBay store because it’s usually a few dollars cheaper, but they have a regular website, too. I was so pleased with the color and service that I ordered a matching clip-on ponytail from their eBay store. The clip is HUGE and secure, so it’s easy to wear. I am pretty pleased with it!

RAWR!
To make the crescent bun shape, I use the clip sideways. I gathered it into a ponytail with ribbon and made two braids: only large, one small.

I have difficult hair to match because the roots are naturally much darker than my ends which are more reddish to boot. You can see what I mean in the pics below where my natural ends peek out from under the hairpiece. When I do a regular bun out of my natural hair, it looks almost fake because my ends are such a different color! I  match hairpieces to my roots for that very reason. It looks more natural that way. These two hairpieces are both #10s on the  HWBJ color chart and are a perfect match for my roots. My ends are closer to a #15.

Together with my curl loaf and just four bobby pins, I was able to create this hairstyle:

It looks complex, but it’s deceptively simple! First, I put my hair half up. Then I clip the ponytail on sideways, bobby pin the braids how I like them, clip on the curl loaf to hide the ribbon in back, and I’m done! I made a little illustration chart to explain it visually:

I color coded it for enhanced clarity: Yellow is your natural hair, red is the clip-in ponytail, blue is the thick braid, green is the little braid, and hot pink is the curl loaf (which I made pink because it totally looks like a tiny brain in my drawing!).
When you make the ponytail on the hairpiece, use ribbon, not a hair-tie. Modern elastic hair-ties add a lot of thickness and spring and are very obvious/hard to hide. Ribbon lies smoothly and if you choose a raw silk one that is similar in color to the hair, it hides so much more easily! I’ve discovered that much of the struggle I have styling historical hair comes from overly-bulky elastic hair-ties. It’s amazing how much difference styling with ribbon or twine can make!

This hairdo looks super complex, but it only takes about 15 minutes to do and is really easy to wear!

The ponytail is a bit heavy, but it doesn’t pull or pinch my scalp, plus the braids can be rearranged in a variety of ways to change the look. If you don’t have curly or wavy hair, curl your natural hair before putting on your hairpieces for extra volume or choose a straight hairpiece instead of a curled one.

Hat Trick: Instant Edwardian Glamour Using a Wreath and Wide Straw Hat

The title of this post says it all! This is the easiest way to decorate a hat ever—it’s so simple I’m a little embarrassed I didn’t think of it sooner!

I love hats, but for whatever reason, I struggle to decorate them. I can never seem to get the feathers to fluff, flowers to sit just so, or bows to stand properly. However, I was wandering the cavernous aisle of the the local “At Home” (“The-Home-Store-Formerly-Known-as-Garden-Ridge”) looking at Christmas ornaments…in August…during a 105°F heat wave…

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Like Hobby Lobby, At Home always goes Christmas Crazy early. This photo is from an article written in August of last year.

I was looking at the Christmas ornaments and vulturing around the Halloween merch hoping to catch an earlybird sale of some type. Alas, no sales on clip-on Christmas birds yet! I got a whole flock a few years ago and now I always keep my eye out for them. They are perfect for perching on late Victorian hats:

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Deprived of a deep discount on feathery friends, I was about to leave the store when I saw two giant displays of faux flowers. At Home is full of fake greenery, so I had ignored these displays on my way in. However, planted beside the plastic potted petunias was the most glorious seasonal bloom in the whole of the store: the RED LINE CLEARANCE SIGN!

A photo of a treasured red blossom of the 50% off variety.

Redline Clearance in At Home usually means either 20% or 50% off the tag price, but thanks to the brazen commercial exploitation of one of the most beloved holidays of the year and the need to fill the shelves with glitter-crusted burlap Santas before school’s even started, all summer floral was a whopping 75% off! And while I was high on the rush of sudden sales and the heady smell of ten-thousand different air freshener packets from the next display over, I was suddenly struck by the need to buy wreaths wreaths wreaths because FLOWER CROWNS:

I probably could have bought all the wreaths in the world— heaven knows my heart was screaming YAAAS GURL! YAAAS! as I thrust my arms elbow-deep into a glorious pile of polyester roses—but I am strapped for cash and really don’t have any more room to store stuff. So, I settled on a few choice pieces:

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I spent less than $20! It’s a miracle!

I found two wreaths in light, more spring-like colors, and while I was loading them into the cart, I was struck by another sudden epiphany: IF A WREATH FITS ON MY HEAD, IT WILL FIT ON A HAT!

Edwardian hats are huge, drowning in waterfalls of curled ostrich plumes, cascades of silk ribbon, and sprays of flowers. They are opulent to the maximum and, up until my fateful faux flower find, they were well beyond my hat-decorating comfort zone.

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My style is usually a bit more restrained, but looking at the piles of bargain wreaths mounded up like a magical hillside from a fairytale, I knew what needed to be done!

You see, I have this wonderfully wild 1980s straw hat:

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It’s perfectly shaped for 1900-1910, but that zebra crown isn’t the most period-looking finish. So I took one of the wreaths I’d bought on clearance…

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When choosing a wreath, it’s wise to pick one on the fuller side. The more dense/bigger the blooms, the more lush your hat will look (and the better it will hide any *ahem* idiosyncrasies).

…plopped it over the brim to hide the the crown…

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Sushi-roll hat!

…and voilà! An instant Edwardian hat, no millinery skill required!

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There was no agonizing over color scheme, no tedious arranging and rearranging of every single flower, and no waiting! It’s like the Jiffy mix of hats!

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My attempt at an autochrome-esque photo.

Another bonus? Instant restyling options! If you have only one hat, you can just switch the wreath instead of having to get a new hat base. The original full price of the wreath was $15, which is still a bargain if you consider the number of flowers you get for one price and the fact that it came pre-color coordinated!
If you are dedicated to decorating a particular hat, I recommend taking it with you so you can fit the wreath over the crown before buying it. The wreath I fell in love with as a tad too small, but by clipping the wire holding it together, I was able to resize it to fit.

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I used nail clippers and re-tied the ends in place with a stripped twist tie.

If you need to spread the wreath more than an inch or two, you can fill in the gap with a big ribbon bow or a matching bloom. My wreath fits snugly enough that it stays on securely, but if you are happy with your hat and want to keep it just as it is, hot gluing or sewing the wreath in place will keep it from falling off in the wind or when you bend over.

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Edwardian Hat Trick Cost Breakdown:

Wide brimmed straw hat – $4.99, Thrift Town
Floral Wreath – $3.75, At Home (Huzzah for clearance sales!)

Total – $8.74

—– Other Hat Posts ——

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Hat Trick: Turn a Placemat into an 18th Century Hat in Three Steps

Darn string!

Flower Pots and Romanticism: The 10 Second Poke Bonnet

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Update!

Look what I found!

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Her hat looks just like mine!

A Simple 1870s Hairstyle Tutorial and a Review of Mona Lisa’s Curly Bangs Wiglet from Hair World By Jamie

Hair styling is not one of my talents, so, logically, one would assume that I might turn to wigs to make up for my skill deficit…until, of course, you hand me a wig…

Expectation:

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Sexy Pin-up.

Reality:

Captain Hook

Captain Hook.

Part of my problem is that wearing and caring for a wig still requires some level of hair competency and, frankly, I just am not a wig person. I am a hat person. A hat/bonnet/veil covers a multitude of hair sins!

She may or may not be wearing a giant plastic claw clip and three glittery butterfly barrettes underneath…

However, there are a few eras when hairdos outshone (or overshadowed) the hats. One of those eras is the 1870s. If you love fancy hair and lots of it, the 1870s is the decade for you!

The 1870s were all about big hair, big curls, big braids, and big lies. Fake hair was pretty much required for a properly full 1870s look. Most fashion-conscious women owned at least one switch of hair that wasn’t theirs. Indeed, nearly every fashionable hairstyle involved different hair extensions lie tiny curled frizzettes (fuzzy, short bangs) or even huge braids and entire chignons made of someone else’s hair:

Variety of fashionable hairstyles and the hair extensions (called switches) used to create them, circa 1867.

Ten illustrations of different types of wigs and hair pieces, Revue de la Coiffure, circa 1875

There were also all manner of Victorian hair “hacks” invented to help create the elaborate updos in vogue, not unlike all the “As Seen On TV” bun makers and curling contraptions we have today.

Hair dressing combs from Revue de la Coiffure, circa 1878
These combs were sold with instruction pamphlets so ladies and their maids could create stunning hairstyles with “less effort.” I can feel my hair knotting up just looking at them!

A later Edwardian ad for Hair Switches and Chignon Forms from a 1912 Sears, Roebuck, and Co. catalog

As my Simplicity 4244 Natural Form Era project inched closer to completion, I realized that I was going to have to do SOMETHING with my hair in order to properly top off my new 1870s outfit. Hair can really make a or break an outfit, especially a historical one. I wanted to do Simplicity 4244 proper justice, and, honestly, crazy-huge hair has always been my unattainable dream. I figured it was time to give some proper historical hairstyling a try!

I assessed my skills: I could make a high pony tail and I could curl it. Oh, and I could use one of those mesh donuts to make a smooth faux bun, like I did for the DFW Costumers Guild’s outing to Dracula:

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Confession: Christopher actually curled my hair. I just stood there and wept silently at my ineptitude.

Since then, I have learned to operate the curling iron on my own, so now I can make passable spiral curls! Huzzah! I also learned the value of sectioning hair, like parting it from side to side and dividing it to make simple braids. It all sounds so ridiculously basic writing it down, but considering I struggled to make a high “Barbie” ponytail for years, the skills many women take or granted are huge victories for me! With these few triumphs under my belt, I found inspiration in both historical and modern hair tutorials:

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“Details d’une coiffure en cheveun” hairstyle guide from 1873

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Explicación del peinado a dos cogas (Guide for a hairstyle with two rolls), circa 1866, from La Moda Elegante

Modern bridal hairstyles like this one by Ulyana Aster (especially with hair jewels), remind me of Empress Sissi’s hair.

Many of the tutorials I found were for women with thick, textured/curly, or extra-long hair. My natural hair is thin and slick, but fairly plentiful. It is all the same length and doesn’t hold curl really well, but will make a nasty knot in an instant (teasing is not my friend).

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24 hours after cowashing and air drying in the Great Texas Blow-Dryer (sweltering sunshine and western wind). It’s not a dream to style, but it is now much easier to work with than before I began cowashing and using homemade dry shampoo, which more closely mimic historical hair care methods.

With a little experimenting, I came up with an 1870s hairdo that can be done in less than 30 minutes, alone, with minimal tools and techniques. I figured there must be other ladies out there that struggle with historical hair, so I shut myself in my horribly lit bathroom for half an hour to make a photo tutorial.
My hair is below-shoulder length right now, but the method I came up with will work for shoulder length hair, too.

General Hairstyle Suitable for 1867-1880

You will need:

1 ponytail tie/elastic
1 smaller hair elastic
A curling iron
Hair pins, bobby pins, or a snap clip

Step 1: Brush your hair back into a smooth, high ponytail at your crown and secure it with a hair tie.

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 You can experiment with the height of your ponytail so it works best for your hair length and comfort. If you choose to wear a hat/cap/bonnet, make sure it will sit properly over the ponytail. You might need to raise/lower it accordingly.

Step 2: Divide your ponytail into two sections–top and bottom– and bundle the top section together with a hair elastic.

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The top part of your ponytail will become the twist and the bottom part will become the falling curls. Divide the hair according to your preference. Dividing it evenly in half will result in a fuller top twist. Taking only a third of the ponytail for the top will result in a fuller set of curls in the back.

Step 3: Curl the bottom section of your ponytail into ringlets.

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For best results, use a 3/4 inch or smaller curling iron. Mine is 3/4 of an inch and it is about as large as you can go for good period ringlets. Curling irons in the era were generally smaller or women would use rag curls, another option is you have the time. Here are some photos showing Late 1860s-1870s falling curls in a few different sizes and styles: large and tumbling, medium and neat, and small and tight.

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Step 4: Twist (or braid) the top section of your ponytail.

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To get a nice, pretty loop, I loosely twisted the top section. If you have fuller/longer hair, this section would look extra fancy braided. Braids were all the rage during the 1870s– the bigger, the better!

Step 5: Loosely loop the top section around the back of the ponytail and secure the end in front/underneath.

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This sounds tricky, but it’s really more complicated to type/photograph than to actually do. You just drape the twisted top section over the curls in the back, making a nice, languid loop. Then secure and hide the ends. I used a snap clip to secure mine, but a more subtle and period-correct method would be to use hairpins or bobby pins. If your hair is really long, you might even be able to loop it twice or make a bun!

And that’s the end of my basic 1870s style!

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You could stop here, or add a decorative comb or some flowers to dress it up. The style is very similar to this lady’s, especially if you separate the ringlets a bit with your fingers:

Kate Beckinsale…Is that you?!

However, I felt that my hair was a little too smooth and flat to look really 1870s-chic, so I decided to buy a hairpiece!

My first idea was to buy a fancy bun cover, like these:

remeehi-braided-scrunchy-scrunchie-bun-updo-hairpiece-chignon-hair-extensions-1b-39

Bonus: bun covers are historically accurate! (see Figure 17)

Big braided buns are so totally 1870s that I just KNEW that if I could get one, I would look so incredibly fabulous that clouds would part, angels sing, and unicorns would frolic around me! However, I was dangerously close to my event deadline and most of these glorious chignons are only available directly from China. I couldn’t find a braided bun sold by a US seller, but I did find a large, curly one I thought might work okay and the seller advertised that their stock was shipped from the US and could arrive in 3-5 days.

lies!

LIES!

After placing my order, I got an apologetic email informing me that they actually didn’t stock my color in the US despite what the listing said, so it shipped directly from China anyway. I was miffed that I paid extra money for this style because I thought it was US stock, only to have it ship from China like the fancier, less-expensive versions I actually wanted. My order did arrive in time, though, BUT, it was nothing like the color in the picture! It was waaaaaay too dark. I think they sent me the next color down.

sad hair

The one on the left is the color I ordered (light brown). The one on the right is closer to the color I received (dark brown).

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So close, and yet so far!

So I paid more and waited longer for an item that I couldn’t use. I was disappointed to say the least– and rather heartbroken because I had invested so much hope into it, dreaming of solving my historical hair woes for good. Honestly, it is a super cute hairpiece that could have worked so well if it had been the right color!
After so much anticipation only to have my hopes dashed, I was really worried I wouldn’t find a good hairpiece in time for the event.

Still, I knew I needed something to complete my hair. I crossed my fingers and bought a little curly wiglet from Jamie’s Hair World on eBay. They assured me that they were US based (my item shipped immediately from California), and my item would arrive in a week. They were right!

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Doesn’t it look like a hairy cell phone cover? It’s about the right size and shape!

My camera sucks at capturing true colors in the awful florescent light of my room. The color is accurate to the color chart’s “Medium Golden Brown.” It is synthetic hair and is not overtly shiny. The texture is what I would call “quality Halloween wig,” not particularly soft, but not crunchy.

Before I show you how it looks on, here’s the main listing picture:

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Mullet madness!

The picture does not lie. You can make a pretty darn sexy mullet with it:

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This is fresh out of the package with no fluffing or styling which is why I call it my “curl loaf.”

While it might seem hideously wrong for the period, this wiglet is perfect for late Victorian hairstyles. Victorians loved big, curly bangs just as much as party girls in the 1980s! According to an article from 1894, full, curly bangs like this were called “Titus” bangs and were available as hairpieces just like mine (see Figure 31). If the Jamie’s wig model above just curled her “party in the back,” she’d be a dead ringer for the Victorian Goddess of Curly Bangs, actress Sarah Bernhardt!

If you collect Victorian Photographs on Pinterest, I can guarantee you that, at some point, you have seen or even pinned a photograph of Ms. Bernhardt. If by some miracle you haven’t, this webpage is full of her photos and portraits. Go forth and adore!

Rawr!

So despite its dubious appearance, the reason I chose this little wiglet is that it’s extremely versatile. Besides being worn as bangs, the pictures also show it styled as a curly chignon:

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And I decided to place mine at the top of my head to give my otherwise flat hair the tall, voluminous look of classic 1870s hair.

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Unlike many hairpieces which have only a few basic color choices, Jamie’s Hair World offers this hairpiece in over 20 hair colors! My hair does this funky natural ombre thing–brown at the roots that lightens to strawberry blonde– so I didn’t quite know which color would work best for me. Since I was going to wear this nearer to my roots, I chose the Medium Golden Brown. It was a good match!

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It’s super easy to put on. You just snap the little bottom combs open and clip them shut into your hair. Mine stayed perfectly in place through a whole evening in theater under my heavy tiara and didn’t budge all day in the blustery Texas wind at the Cowgirl Museum.

As I said, I’m not very adept at working with hair or wigs, so the addition of a small hat instantly hides any of my styling shortcomings and completes the look.

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This wiglet is quick, easy, and works exactly as I wanted it to. The color match was true to life as were the product pictures. As a bonus, I caught mine on sale for $15, though it is currently priced at $18 including shipping, a little more expensive than other hairpieces directly from China, but the color choices, quality assurance, and quick domestic shipping are wonderful perks. The styling and texture are very convincing in real life even with my lack of styling skills. Overall, I would give this Mona Lisa Wiglet from Hair World by Jamie a very satisfying 4.5 out of 5 rating! The perfect hairpiece for beginners!

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A Simple Girl’s Victorian Dress from New Look Pattern A6319

I don’t have any kids myself, but after posting about the 1860s child’s dress I found a few months back, I’ve gotten a few questions about making Victorian clothing for children. Usually, my lack of experience with sewing for children leads me to recommend asking someone else, especially if someone is asking for strict historical accuracy. However, I am not one to shy from any project. The 1880s are a popular costuming era thanks in part to lots of recent movies set in the era and the rise of Neo-Victorian fashion. I have a whole bunch of lovely fabric pieces that are too little to complete a full project for myself, but a child sized dress? Certainly!

Children’s dresses in the 1880s were drop-waisted with full or pleated skirts with fairly straight bodices.

Cotton Dress for a Girl Aged 5-7, circa 1886-88

Silk Lace Dress, circa 1885

Wool Dress, circa 1880-90

This basic shape remained popular into the 20th century, especially during the 1920s, 1960s, and the 1980s. I was originally going to use one of the plentiful, adorable 1960s or 80s patterns like these to craft a dress:

 

1960s

1980s
This is a bit more 1890s in shape than 1880s. The 1890s saw the bloused front come into fashion full swing.

I just couldn’t settle on a pattern, though, so I just kept collecting them in my favorites on Etsy. Then, I was browsing in the pinnacle of American capitalism (aka Walmart) when I found this pattern:

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New Look A6319: Child’s Bias Dress and Jacket

Cute plaid? Adorable silhouette? Just the right amount of yardage needed? WE HAVE A WINNER!

The skirt construction is two giant circles, so probably not as historically accurate as pleats or gathers, but the amount of flare it creates is impressive.

The silhouette of the New Look pattern, though not perfect, reminded me of this antique dress I’d pinned earlier:

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Child’s Dress, circa 1880-90

I love plaid and it’s pretty darn vintage looking in most cases, plus I had 3 yards of woven green cotton plaid that, though fairly thick, I thought would make a great dress. I also had some other scraps of lace, some ribbon, and a few button options that could work:

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I ended up choosing the cotton net lace and the big, antique square buttons (a gift from my grandmother). Taking a cue from my 1860s child’s dress, I decided to trim the dress with black velvet ribbon, too.

I followed teh pattern directions exactly except for the zipper in back and the sleeves. I left the zipper out since I planned to close it with hooks and eyes instead (though buttons would be a better option). I used the long sleeve pattern from teh jacket portion of the pattern because the heavy plaid was more of a winter weight than a summer weight and long sleeves are more period-appropriate anyway. The shorter sleeve or sleeveless options are a good choice for summer dresses, and perfectly fine for the period:

Queen Regent Maria Cristina of Spain and her daughters, Infantas Maria Teresa and Maria de las Mercedes, late 1880s

I also chose not to cut the bodice on the bias. Yes, diagonal plaid is amazing. I own a few shirts and dresses cut on the bias. The look is lovely, but the way it twists as I move (especially if the stretch heavy favors one direction) drives me nuts. No child will probably ever were this dress, yet I refuse to make an annoyingly twisty bodice!

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The dress went together rather quickly. The hardest part with getting a neat hem on those darn endless circle skirts! Each skirt had a 108″+ hem and there were TWO of them….with curved hems….

Yep, it took about 3 hours to press and sew. Not gonna lie.

Still, the flouncy effect is gorgeous and has great buoyancy that no other type of skirt can give without hoops and petticoats.

The plain dress is pretty on its own, but I wanted to deck it out.Sorry I didn’t get many process shots:

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Attaching the lace to the front

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Planning the velvet trim. I had a hard time choosing where to put the thinner velvet since I only had one spool. I liked the look of the thin velvet along the hem. I would want to make all the hems match, however, and I just don’t have the patience, money, or the masochism to handsew 220 inches of velvet ribbon. Nope, nope, nope! Ultimately, I opted to follow the original dress and just put double lines around the cuffs. I hoped I had enough lace for the cuff, too, but I barely had enough for the front.

Here’s the “finished” dress:

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It’s actually not complete. It doesn’t have a back closure and it still needs a bit more refining (like more black velvet ribbon), but I admit that I probably won’t ever finish trimming it. Yet, I feel accomplished despite not crossing the finish line! It’s a cute, simple pattern with a lot of possibilities for both costumes and modern wear. Multi-tasking patterns are always a welcome bonus for anyone. I still wouldn’t consider myself an expert on sewing for kids. What I hope folks will take from this experiment is the basic principle of silhouettes. You don’t need a specific pattern to approximate or create an interpretation of a historical style. Practice identifying common features and shapes and suddenly you’ll find inspiration in places you would have never thought to look!

Costume Breakdown:

3 yards cotton plaid – $4.50, Walmart
Lace remnant – Free, but there’s about $2.50 worth of lace there
Thin black velvet ribbon – $2.49, Walmart
Thick velvet ribbon for waist – $3.99, Hobby Lobby
Four antique mother of pearl buttons – Free! Thanks, grandma!
Pattern – $2.97, Walmart

Total: $16.45

I don’t know what I’m going to do with this dress yet. I’ll probably just squirrel it away or throw it at some unsuspecting 6 year old at the park like a reject fairy godmother.

Bippity Bobbity BWAHAHAHAHAHAHA!

A note if you plan to use this pattern for costuming or modern wear:
I followed the pattern instructions for a size/age 5 dress according to the envelope back, which is meant to fit a child with a 23 inch chest. It turned out really huge. I know most modern patterns have tons of ease built in, but, dang! The dress ended up being 26 inches wide–that’s 3 inches of ease in the chest and over 5 inches in the waist! It’s nearly large enough for me to wear as a (cute) top!

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This may partially be due to me cutting it on the grain rather than on the bias. If it was on the bias, it would hang and stretch downwards, slimming it a bit. Kids need room to move, but I think you could probably size down in this pattern, depending on your child, the fabric you choose, and how she likes her clothes to fit.

 

Costume Cheats: Simple Vintage Hairstyle

My hair doesn’t curl at all, so making 1940s and 1950s rolls used to be impossible. This little trick makes them much easier!
Materials:
Paper tissue tube
Bobby pins
Headscarf

Step 1: Gather up the front of your hair by parting it about 1/2 way back. I just use my fingers to gather up enough hair to make a good curl, but a rattail comb is really helpful if you want 100% clean lines. The headscarf will cover the part lines anyway! The rest of the hair becomes a simple bun.

Step 2: Cut a slit in the tube. I made mine a boxy cut, but for thinner hair, a slit from one of the ends to the middle works well. Have trouble getting the hair tucked into the tube? Dampen the ends of your hair and they’ll behave much better! For a shorter curl, trim the ends of the tube.

Step 3: Roll it up! Bobby pin your hair to the tube if it wants to unravel.

Step 4: Bobby pin it down. This is where you can determine the shape and placement of your roll: front and center, left side, right side, high, or low. You can also press the tissue tube down for a less poofy roll.

Step 5: Tie your headscarf around your head. You can tie it at the top or bottom: your choice!

That’s it! You’re done!