True Vintage: An Edwardian Blouse I Found at Goodwill

It kind of pains me to title this post “true vintage” because that term has always struck me as both pretentious and meaningless, but in this case, it’s a really apt description.

You see, I go into Goodwill all the time looking for “Edwardian stuff,” but not the real deal. The local Goodwills mostly have things dating from the 1980s and onward. The “Edwardian stuff” I look for is costuming-grade things like secretary blouses, long pleated skirts, lacy camisoles, and the like that are perfect for Thrifted Edwardian outfits.

Stuff like this.

As for vintage things, every once in a blue moon I will find a homemade 1960s dress or, once, a chipped 1930s teapot, but nothing mind-blowing. Today I was combing the racks for some work shirts and maybe a nice lace top I could rob of its trimmings. The area where I live is “100 yards from rich” as Chris and I describe it, downwind of the wealthy suburbs, so our Goodwill is blessed with comparatively nice castoffs from the upper echelons of Fort Worth society. The “it” style for spring/summer for the local who’s-who was romantic boho chic with the usual dash of Western flavor Texas is known for.

Stuff like this.

There have been tons of peasant blouses and filmy tops with lace collars that were perfect for Thrifted Edwardian costumes, so I was already hauling an armful when I pulled this beauty off the rack.

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Labelled as a size “Medium” – HA!

 I confess that when I first caught sight of it, my first thought was “Oh! Another nice modern blouse that looks good enough to fake it,” so imagine my genuine surprise when I pulled the hanger out of the polyester sea to get a better view. This blouse was so good at “faking it” because it was real! There are enough similarly-styled modern blouses that no one noticed its age when it was tagged ($4.49), racked, rifled through, or rung up at the register.
I must say I feel quite proud: my “looks-Edwardian” radar is honed enough that it picked up on a real Edwardian/WWI blouse even though it only saw one sleeve smooshed between 10,000 others.

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It’s not a particularly fancy piece by any means, but it has some nice filet lace around the collar and a bit of embroidery at the front. I didn’t take many photos because I wasn’t even planning on writing about it, but I hadn’t posted in a while and, hey, cool 1910s blouse! Why not share? Just further proof that you never know what you’ll find lurking in the racks.

Let’s Try This Again: A (Better Fitting But Still Imperfect) Edwardian Dress from Butterick 6093

Cotton Candy Colored Edwardian Barbie!

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Butterick 9063 is based off of general fashion trends from 1912 (some possible period inspirations can be seen here). The construction is pretty straight forward and modernized, so Butterick calls this an “Easy” pattern. It’s simple exterior hides a slightly more complex garment, and after phutzing with it for a while now, I would call it more “advanced beginner.” My first version was very enlightening (and very blue):

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I made a lot of mistakes with my first version— chief among them being choosing the wrong size! However, it turned out pretty cute for a first try. My sister liked it and was bummed that it wouldn’t fit either of us. We share similar measurements even though our body types are quite different, so I decided to make another mockup attempt which, if it fit better, Amelia could have. I had a few more inexpensive cotton sheets lying around, so I let her pick one she liked. Laura, the queen of Shear Madness, had sent me a lovely embroidered dupatta which I though would make a good accent for collars and cuffs. A thrifted cotton shirt donated some UFO-shaped fabric buttons for a final touch:

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Amelia decided she liked the contrasting pop coral pink against the teal and while the single-sided collar is snazzy and all, maybe a symmetrical collar setup would suit her better…?

So I plotted:

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And together, we settled on a triangular collar similar to my first dress attempt, but this time on both sides of the neckline (the design on the left).

Previously, my dress had been much to small, especially in the hips. I could barely sit! If you ever tackle B6093 for yourself, pay close attention to your hip measurement and how much ease you’ll need to sit down otherwise:

With thoughts of wardrobe disasters floating in my head, I thought it might behoove me to cut the pattern according to the size chart on the back of the envelope. According to the chart, the best option for Amelia and I would be a size 16. However, the finished waist size would have been 34.5″– a whopping 4.5 inches of ease in what should be the most fitted part of the dress! Remembering how the size 12 waist was too small and knowing that the size 16 waist would be much too huge, I cut the hips a size 16 and tapered the waist down to a size 14. The fullness of the bodice in my first version seemed like enough to me, so I cut the bodice pieces out in the same size as before: 12.

That’s a lot of numbers. Unfortunately, they don’t all come in one envelope, either. However, I had raided Hancock fabrics during a pattern sale, so I had both size selections. After working with this pattern now for a second time, I have learned that mixing and matching pattern numbers in key areas is the way to go for a better fit. The way the dress is constructed means that most size adjustments need to be made on the sides of the pattern pieces rather than in the middle (like, say, slicing something for a FBA). Making post-construction alterations are also very tricky because of the side zipper and because the loose-fitting bodice is gathered to a tight, darted skirt, meaning you can’t let it out or take it in without taking the entire dress apart.

Thus, I prayed that 12b+14w+16h=excellent!

I didn’t take many progress shots, except this shot of me testing the fit on DumDum since Amelia is in far-off Colorado and thus unavailable for fittings:

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This is also right before I put the sleeves on. Seriously, the sleeves in this pattern confound me! As you may recall (and if you don’t, it’ll be fairly obvious in the picture below), my previous dress suffered from a case of muffin top sleeve caps:

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It’s like rabbit ears or plate armor…..or GAGA!

If you happen to be an extraterrestrial/pop star with shoulder protrusions, this is the pattern for you! However, if you are an average human attempting to mimic Edwardian fashion, the shoulders poofs are maddening. No one else who has made this pattern ended up with lumpy shoulders, but I ran into the exact same problem again with Amelia’s dress. Even with TWO rows of ease stitching, the sleeve cap was well over an inch too tall. I ended up just sewing further down the sleeve cap to achieve a smooth shoulder line. I can only conclude that I am either an idiot or cursed by some vengeful pattern witch.

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It always seems I must turn to sleeve voodoo to get things to work. Perhaps it is coming back to haunt me now?

In between tackling the sleevils and adding the collar buttons, I took on a temporary second job (just for this month). Lack of freetime notwithstanding, I finally got Amelia’s cotton candy Edwardian Barbie dress done!

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If the skirt looks a bit long, you’d be right. Amelia is much taller than I am. She wasn’t available for fittings, so I was pretty liberal with the addition just in case she wants to wear heels. I’m actually wearing my tallest pair of platforms (5″) underneath and it still puddles! I also took advantage of the sheet’s already finished hem, so hopefully she won’t need to hem it up (if you do, I’m sorry, Minnie!).

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The color of the cotton sheet really varies in photographs depending on the light. Sometimes it photographs as  as blush rose, other times, orange shrimp. It’s kinda funky.

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The pretty lace dickey is an antique, and unfortunately, not quite strong enough/big enough for wearing. It does make a nice dummy cover, though!

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I pleated the back instead of gathering it in this version to help combat the awkward back-poof I got with the first dress.

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I decided the skirt looked to plain and, well, bedsheet-like without some sort of accent, so I fudged an applique made from the dupatta scraps.

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The waistline of this dress really benefits from a belt or corsage to cover the awkward join where the faux wrap front meets. The pattern includes a belt, but I opted to add a little bow at the corner. It’s made from an antique stamped steel buckle that is handily dated on the back!

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I added a pin back so it can be moved if Amelia wants to wear a belt or wear it on her shoulder or something of that sort. I paired it with a cheap gauze scarf from Walmart as an impromptu sash with moderate success.

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Despite my (in my opinion) clever patterning, the dress still ended up larger than expected! It’s not horribly baggy, but I’m afraid that on my slim sister, it might look like she’s wallowing in a duvet. Ah, well! I have to send it off to see. If nothing else, it will make a passable Halloween frock!

Candy Colored Edwardian Dress Stats:

Queen-sized cotton sateen flat sheet – $3.99, Thrift Town
1 yard cotton fabric (to line collar and applique) – FREE! (Thanks, Nana!)
Embroidered teal georgette dupatta – FREE! (Thanks, Laura!)
22″ invisible zipper – $2.49, Hancock Fabrics
Thrifted white shirt (for buttons) – $4.59, Goodwill
Antique stamped steel buckle – $6.18, eBay
Invisible zipper foot – $11, Joann Fabrics
(Okay, so not part of the dress, per say, but very much needed!)

Total: $28.25
$17.25 if you don’t count the zipper foot. :P

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UPDATE!

Some of Butterick’s possible inspirations directly from the Delineator, Butterick’s ladies’ magazine!

Butterick 6093 Inspirations

From left to right:
Oct. 1912: Cross-over bodice with squared collar (from view A of B6093) and the lacy, squared cuffs with long button closure (View B)
August 1912 and September 1912: Brief fashion for single-sided curved revers/lapels/collars. The Aug. 1912 dress on the right has the lace overlay and single-sided wrap of View B.
Oct. 1912 again: Illustration of sleeves fashions including the lacy, squared cuffs with long button closure (this seems to have been a brief trend in fall/winter ’12)
Nov. 1912: THE SKIRT! This is the exact skirt design of View A in B6093 consisting of a tri-pleated/tucked wrapped overskirt and bow-bedecked belt!
April 1912: Another curved, single-sided lapel like View B (also paired with a square collar as in View A) and the possible inspiration for the lace overlay used in the promotional pictures. It is from a Bedell’s Fashion Book ad for Easter and Spring dress styles.
Sept. 1911: Shows an older dress (left) transformed into the newer fashion (right) with a single-sided lapel and wrapped overskirt (and lovely contrasting underskirt!)

Here’s the amazing link to scanned issues of the Delineator (Thanks again, Terri!) where you can find these images and so much more: http://catalog.hathitrust.org/Record/000545715